Hassan Meer is an established Omani and international Artist, Designer, Art Curator and Gallerist, developing an original technique, with a unique particularity. He received acknowledgements through various art publications and specialized magazines reviewed by famous art critics and his artworks have been exhibited in may prestigious museums and foundations, contemporary and historical venues. In addition of working as an artist and a designer, he also conducted Art courses in Sultan Qaboos University and The Fine Art society.
Hassan Meer was born in Muscat the capital city of the Sultanate of Oman in 1972 where he continues to live and work. He received his Masters degree in Art in 2000 and his Bachelor degree in Fine Art with Media Art specialization in 1999 from Savannah College of art and design, Georgia, USA. During his study, he started using video and installation art as a new form to express his ideas, which have been inspired by personal experience and childhood memories with an impressionable sense of spirituality. In the year 2000 he organized the Circle Show, which, is taking the lead in encouraging this new form of art in Oman and the region.
Hassan is very much inspired by the changes in culture identity and he studies individual identity, community correlates in relation to a collective experience and a globalized age through his installation works and artworks. His work is also a contemplation and search into the spiritual domain and the magic rituals bequeathed to us from ancient times which, has established itself profoundly in our society. It narrates his pondering and questioning of death, the mortality of man and examines others local prevalent rituals.
Hassan Meer has an international contemporary art presence through the variety of Global Art Programmes. His artworks are held in many public and private collections in Oman and around the Globe. Between September-October 2012, Hassan Meer undertook a residency programme at the Delfina Foundation in London. His exhibitions include: 8th Sharjah International Biennale, UAE (2013); Arab Express, Mori Art Museum, Tokyo (2012); Work Marry Remember, AB Gallery, Zurich (2012); Reflections, Stal Gallery (2013); Fotofest Biennial, Houston, Texas (2014) and All Silent for the buzzing Royal College of Art Galleries, Kensington, London (2014).
Statement about art collection
“My work is a contemplation and search in the spiritual domain and the magic rituals bequeathed to us from ancient times and has established itself profoundly in our society. My work relates to the Levant , its beliefs and legends. It narrates my pondering and questioning of death, the mortality of man and examine other local prevalent rituals. Since my childhood, here in Oman, I have always thought and wondered about the powerful effects these mysterious legends have in controlling and directing the course of man’s life.
Art to me is a language, and a medium through which I seek to discover the state of human and the contradiction, he undergoes in the midst of cultural and civilization conflict. I attempt to link some of these elements and symbolic concepts shared among the various cultures. In our present day and with the sharp upheavals and fluctuations our societies experience, I realize the paramount importance of experience and research employing new tools and artistic devices that are more capable in portraying and expressing contemporary issues. I employ what I call ‘ the conceptual seed ‘ or the art that is based on a concept or an idea making use of video art photography. The experiment is developed on basis of realities i.e. not to
experiment in abstract. During the last few years, I directed my experiment towards a unique mélange of both the personal and the general experiences i. e. between personal and general memories and recollections.”
THE LONELY BIRD
Media: Oil on canvas paper
Size: 88x73 cm (with frame)
Country: Oman, Muscat
Framed, with mat and glass
*All prices are indicated in Omani Rials.
** Amount is indicated as: before decimal point - hundreds; before comma - thousands.